Sometimes a photograph doesn’t really end at the edge of the frame. Sometimes it keeps going - into the paper, into the surface, into the way light physically bounces back at you and into your mind as you begin to get affected by the narrative portrayed. And when I visited an exhibition in Santiago de Compostela, I ran into exactly that kind of work: images that don’t just show you something, they sit in front of you like objects with their own gravity. The author is Boris Sa

Lately, I’ve been thinking a lot about the evolving space between art and automation - that tension is fascinating - craftsmanship and computation... In so many fields artists have felt the ripples of change coming to them with slow but steady inevitability. Some faced it with rejection, some embraced it completely. My workflow in architectural visualization has been comfortably traditional for years: modeling in 3ds Max, rendering with Corona or V-Ray, and polishing in Photo

In the field of photography there are many directions one can take. Sometimes, I find myself thinking about this form of expression and wondering what path it took to end up looking like what I am about to show you. Perhaps, at its roots, photographers were more concerned about capturing the moment, reveling in the realism of what was captured on film. But just like in painting, eventually people grow tired of literal representations and favor more abstract interpretations, a