If you’ve spent more than five minutes around “AI content” lately, you’ve probably met them. The arrogant promoters who talk about “prompt engineering” like it’s a rocket science in which they have a black belt, sprinkle in a few screenshots, then try to sell you a course, humbly saying it that you are actually lucky to get this "limited offer" because normally they price it at 299$ and then put a timer for a good measure making you think that the offer will expire... Well, i

Sometimes a photograph doesn’t really end at the edge of the frame. Sometimes it keeps going - into the paper, into the surface, into the way light physically bounces back at you and into your mind as you begin to get affected by the narrative portrayed. And when I visited an exhibition in Santiago de Compostela, I ran into exactly that kind of work: images that don’t just show you something, they sit in front of you like objects with their own gravity. The author is Boris Sa

Lately, I’ve been thinking a lot about the evolving space between art and automation - that tension is fascinating - craftsmanship and computation... In so many fields artists have felt the ripples of change coming to them with slow but steady inevitability. Some faced it with rejection, some embraced it completely. My workflow in architectural visualization has been comfortably traditional for years: modeling in 3ds Max, rendering with Corona or V-Ray, and polishing in Photo